R&B life. We invite you to RnB dance lessons for girls and guys What does r mean in fanfiction
R&B - light, rhythmic and incredibly sexy music that makes you fall in love the first time. Today R&B is a whole subculture that includes music, dance and, of course, a certain style of clothing.
R&B clothing style is bright, luxurious and seductive clubwear for people who love rhythmic music and love to dance. If you can't sit still after hearing another hit by 50 Cent, then this style is just for you!
Many people think that R&B is short for Rich and Beautiful, which means rich and beautiful. But in reality R&B stands for Rhythm and Blues, "rhythm and blues". This is a direction of music that originated in the 40s in America, a combination of blues and jazz.
"Rhythm and Blues" gradually changed, absorbing other musical directions. And only in the 90s, having "singed" with hip-hop, a new style appeared - modern R&B, as we are used to hearing it.
R&B is a club style, so clothes in this style are simply created to dance and seduce. Therefore, comfortable and sexy clothing is welcome. Basically, the R&B style is a glamorous version of the hip-hop style, and indeed they are very similar.
However, the R&B style of clothing is much more luxurious, it is associated with hangouts in expensive clubs, luxury brands, ostentatious rich life. R&B is not just a style of clothing, it is a way of life.
Young people who are into this music love to dress in. But at the same time not as "poor guys from the ghetto", but a gangster style.
They wear oversized wide pants that are held in place only by a belt, tight or wide T-shirts with slogans and drawings, sports suits, sneakers, baseball caps, leather jackets, thick chains and voluminous pendants. Moreover, their whole image is much more "glamorous" than the image of a hip-hopper.
Girls dress brightly and seductively. Their clothes combine sporty and hyper-sexy clothing - open tops, miniskirts, microscopic shorts, tight-fitting trousers, tight-fitting dresses with a deep neckline.
The most popular colors are gold, silver, white, black and various colors with a metallic sheen. An obligatory attribute is shoes or boots with high heels or a platform, because a girl should feel like the queen of the dance floor.
All this beauty is complemented by an unthinkable amount of jewelry made of expensive metals and stones, or "expensive" jewelry.
The R&B style requires its fans to always be on top. Well-groomed appearance, golden tan, perfect hairstyle and make-up, slim fit figure - you cannot afford to relax. And most importantly, whatever you wear to an R&B party, you should feel at home in the club.
Tatiana Klabukova
As connoisseurs of fashion testify, R&B is a way of thinking, a way of feeling life, a way of communicating with the outside world, the ability to constantly surprise and shock. There are a huge number of different cliches, false and true judgments about the R&B style, but the fact remains that this is a style of music that translates literally as "rhythm and blues". Although there are some differences in this, because in America there is another half-joking interpretation of this term - "Rich and Beautiful" (beautiful and rich). Although initially this style originated among the black population, over time it “domesticated” in its own way, acquired some forms of elite art for both “blacks” and “whites”.
Who is a follower of this sufficiently developed culture, and, accordingly, can form an idea for us about it, help us choose what can be useful for replenishing the “fashionable piggy bank”?
Nicole Scherzinger is a singer and dancer, vocalist of the popular group Pussycat Dolls, and is an outstanding representative of the R&B style. 
Slightly predatory colors, leather contrasts with lace, bustiers, tops complementing Nicole's natural beauty. 
She is very fond of gold and imitation of noble metal, which, in fact, very, very much coincides with the trend characteristic of the R & B style, because massive chains, earrings are not shy to wear by both men and women who are in love with hip-hop, rap and others related trends.
In general, contrast is very characteristic of this style, just like in the music itself. Soft, "juicy" vocals are complemented by harsh rhythms and motive. The sexy notes of soul are interspersed with typically hip-hop tunes, which is also reflected in the style of Nicole Scherzinger. This very manner is very typical for all R&B - a little ostentatious femininity, sex appeal and, on the other hand, sporty composure. Jeans, shorts, short skirts, tight trousers - all this is an incomplete list of what can be seen on the singer.
If Nicole clearly and always has such an exquisite and specific chic, then Beyoncé seems to be playing within a given style. 
She often uses sporty and semi-sporty details, which is a very contrast to her rather curvy curves. She is not afraid of either experimentation or outrageousness inherent in all R&B representatives. Here you also have typical "rapper" caps, shorts, panties, tops. She really plays in this game and is very feminine, and, at the same time, does not betray her favorite musical genre. 
Rihanna is a young and very effective singer. However, even within the style set by the topic of the article, one can find quite serious differences. So, if the two previous divas are always distinguished by a stable love for long, chic hair, then our Rihanna is like an “eternal seeker” of new impressions from her own appearance. What kind of haircuts, colors and styling we just did not observe on this glorious girl! 
Rihanna, like no one else, in my opinion, manifests this rebellious spirit, characteristic of R&B. 
Rihanna's play in images becomes even more daring, mocking, playful. Sexuality, but not vulgarity, "boyishness" without brutality, openness and intrigue. She's good at breaking the false notion that R&B is the style of girls with bad taste and extremely exposed body parts. She displays herself with exceptional taste, I hope the readers will agree with me. 
I must say that not many companies are engaged in the development and production of R&B style clothing. Among them are Rocawear. The latter is the “fruit” of the imagination and work of the famous rapper Jay-Z, who cannot but know in subtleties what this is, originally African-American and today very popular throughout the world, R&B style. 
Perhaps neither you nor I will dare to experiment such as popular beauties, but it is quite possible to take something "into service". It all depends on desire and ... courage, because the R&B style is the style of brave people.
The article uses photos from the following resources: seanjohn.com, shoptracker.ru, softbomba595, eroglamour.com, hazzen.com, nudecelebs.ru, juw.ru, clubs.ya.ru, web.stagram.com, vev.ru, indulgy .com, rd-system.de, starer.ru, fotocelebrity.com, fotoartis.org, artisreligion.com, artleo.com
The Peruvian, who grew up on the East Coast and currently lives in Los Angeles, makes music that is more like a seance: the same mysterious, mystical and atmospheric. Most of them got to know about him thanks to A $ AP Rocky's twitter: it was there that the song "Vibe W / U", which was featured on last year's "Welcome to GAZI" mixtape, premiered.
12 months later, Chal returned with a new mixtape "On Gaz" and two more or less famous guests - A $ AP Nast helps on the trap "Cuanto", and French Montana recorded a remix of the hit "Round Whippin". His Spanish accent and lazy pronunciation remained in place, but this time, Chal was largely inspired by Miami's beaches, not Los Angeles.
: Post Malone.
Saint JHN
Without a single project behind his back, Saint JHN is featured in Western music blogs as "superstar in the making". Such advances are fully justified. First, take a look at the credits of two of Usher's recent hits ("Crash" and "Rivals"). Secondly, all the singles from the planned summer mixtape sound equally good - the perfect taste for instrumentals, coupled with catchy tunes and non-trivial flirting with pop sound, make Saint JHN's music truly exceptional. John grew up listening to Caribbean music, which adds color to his work. The style is fine too - just take a look at the clip "3 Below".
Must like it if you love: Theophilus London.
H.E.R.
R&B singer H.E.R. For now, it is more comfortable to remain anonymous: there are many photos on her instagram, but none of her face is visible. The cover art for her debut EP is a hazy silhouette against a neon blue background. But that wasn't what helped to get the attention of the cutting-edge publications - from Rolling Stone to Billboard.
The girl does meditative R&B in the best Drake and PARTYNEXTDOOR (there is even a remix of Aubrey's track on the debut project), talking about her own experiences and heartbreaks under a minimalistic, unhurried production. That was enough to get some kind of respect from Rihanna.
Soon H.E.R. will go on tour with Bryson Tiller and Metro Boomin, and the sequel to the first EP is scheduled for June 16 - the same foggy silhouette on the cover, but against a yellow background.
Must like it if you love: Solange.
K.Forest
Brampton is a Toronto suburb home to the rapidly growing Roy Woods and Tory Lanez. Is it possible to be born there and not do cold R&B in the spirit of Drake? Apparently not. But K. Forest has a more impressive arsenal: it organically sounds not only to the beats, where downtempo and ambient prevail, but also to aggressive production with Jamaican and Caribbean vibes.
The Canadian already has two projects behind his back, taking part on Travis Scott's platinum album Birds In The Trap Sing McKnight and 2 million streams of the single "Link" on Spotify:
PARTYNEXTDOOR.
THEY.
The Guardian named the R&B duo THEY. "meditative rock", and the musicians themselves call their style "grunge" n "b".
Must like it if you love: Jeremih.
Khalid
The bearded, ever-smiling Texan who has gained viral popularity thanks to Kylie Jenner's snapchat is perhaps the next big thing in modern R&B. Stop, or has he already become one? Judge for yourself: the guy is not yet 20, and his debut album has already gone platinum, the American tour in support of the album is already sold out, and the lead single "Location" reached the second line in the US R&B chart.
Khalid's music is reminiscent of Frank Ocean in the "nostalgia, ULTRA" era: sincerity and naivety are also clearly visible in it. Only if Frank was a guy who can't feel his face because of drugs on Coachella, then the guy from El Paso is an excellent student who still lives with his parents and is worried about the fact that tomorrow is to school, and he came home in the morning. But such romance only adds to the charm of his work. Once Khalid recorded his versions of Frank's songs, now Lil Wayne and Kehlani jump on the remix of his song.
Must like it if you love: Frank Ocean.
Sevdaliza
Talking about herself, Sevdaliza recalls that as a child she often felt lonely (when she was 5 years old, the family moved from Iran to the Netherlands). Salvation was found for music - at the age of 7 its hero was Notorious B.I.G., and at 16, Janet Jackson's album “The Velvet Rope” fell into her hands. The album of the American singer had a great influence on the girl and helped her to realize her place in the world: he forgot about the past that dictated life in suffering, received a master's degree in communications and even played for the women's basketball team of the Netherlands national team.
At 24, Sevdaliza started writing music herself, and in 2015 she released two mini-albums, the main theme of which was individuality, love and detachment. Listening to her first album "ISON", released in 2017 on her own label, you understand that the girl has found herself: in mysterious melodies, mixing experimental pop with trip-hop and, of course, in her own personality.
You should like it if you like: Kelela, FKA Twigs.
Daniel Caesar
Daniel Caesar hails from Toronto, but he is far from the icy vibe that most R&B artists find there. He makes sophisticated neo-soul and raises themes of religion and love, mixing gospel with classic R&B. In an interview with Forbes, Daniel admitted that art is more important to him than commercial success. Banal words, but they are definitely not devoid of sincerity: Daniel is still in no hurry to release a debut album or sign a contract with a label, limiting himself to releasing mini-albums and singles. This formula is still working with a bang: the last single of the Canadian "Get You", produced by Jordan Evans (worked with Drake, Meek Mill, G-Eazy), has received more than 10 million streams on Apple Music.
Daniel is ahead of performances at large festivals, where The Weeknd, Flume and Lorde are listed as headliners. And, of course, a great future.
Must Like If You Love: D "Angelo, BJ The Chicago Kid.
River tiber
Rivet Tiber has already collaborated with Kaytranada, BADBADNOTGOOD, Pusha T, Mac Miller and participated in Drake's mixtape "If You" re Reading This It Is Too Late (at the end of "No Tellin" song sampled track "No Talk"). melancholic Canadian R&B Tiber is distinguished by his approach to producing - he is not afraid to mix guitar and violin with synths and basses, due to which his sound is rich, eclectic, but at the same time remains authentic.
The Pitchfork snobs put his debut album "Indigo" at 7.8 and that says a lot, even though no reviews are needed.
Must like it if you love: Majid Jordan, James Blake.
NAV
The Canadian close to the XO crowd uses a familiar formula: stories about girls are replaced by stories about alcohol and drugs, which, in turn, helps him cope with feelings of anxiety and self-doubt. All this is spiced with a fair amount of autotune and fashionable production, which is written by the author himself.
The debut mixtape, which Complex ranked 50th in 2017's best releases so far, features The Weeknd and music by Metro Boomin. Abel's patronage and collaboration with Travis Scott helped Nav to get into Coachella's lineup. The only thing left is to release a solid album.
Must Like If You Love:Travis Scott.
The Trinity Dance School invites you to RnB dance lessons for girls and boys, children and everyone who wants to move despite their age, shape and level of training.
What is R'n'B dancing? Visualizing how to dance RnB is pretty easy. You just need to turn on any music channel or open youtube, and you can immediately see clips of Usher, Janet Jackson, Timberlake, Missy Sixty, Mariah Carrie, India Jay-Z and many, many other stars performing "pure" RnB or using elements of this style.
Today RnB occupies the place of the most popular dance direction of club dances in the country, it is a separate layer of a new culture, because RnB today is music, and dance, and clothes, and topics of life, and clubs. It is even estimated that about half of the world's music programs are occupied by RnB!
In fact, few people understand the intricacies of the style, and not everyone will be able to distinguish RnB from hip-hop, pop music or soul. If you are really going to plunge into this atmosphere, then it is worth knowing that RnB stands for Rhythm and Blues (according to some Rap and Bit sources). The combination of rhythms and melodic form is the essence of the music of this style. RnB - music is quite light, and for some it is also philosophical, music that is equally pleasant to listen to in a big noisy company or alone in the player. And yes - RnB music is just made to dance to.
RnB as a dance style originally emerged from hip-hop, it was, as it were, adapted to the twilight and lights of clubs. A little less pressure, a little more accents, a change of melodies and rhythms - this is what gives rise to an extremely interesting direction, directly dependent on the music. By simply playing around with every nuance, word or pause, it's easy to achieve a really cool dance. In terms of typical moves, today's RnB is a mixture of Hip-Hop, Pops, Locking and Funk.
This is a rich, inseparable direction in which there is always a place for something new. In the course of time more passion and provocation, more art than animal instinct appeared in the manner of performing the dance "RNB".
RnB dance lessons are available to everyone - just start practicing and little by little you will feel the strength to aesthetically obey these rhythms. RnB dances are characterized by a fairly fast rhythm, very lively dynamics.
By the way, RnB and hip-hop are often confused. Learning to distinguish them is really not that easy. In the RnB dance there is a very specific movement - a shake, they often say "kach", it is performed like this: the dancer strains exclusively his stomach, but the rest of the muscles remain in a relaxed state. Shayk gives the impression that the dancer is not at all "collected", as if he dances as it happens, without any technical base. No, of course, there is absolutely nowhere without technology here, but the illusion of such negligence takes us to the dark quarters of New York, where African Americans have created a whole code of behavior: their swagger is just a pronounced demonstration of self-sufficiency and their own independence.
30s The history of R'n'B (Rhythm and Blues), began in the distant 30s of the last century, when American blacks moved from villages to big cities and concentrated in ghettos (special urban areas where representatives of different ethnic groups live apart: blacks, mulattoes, mestizos, Chinese, etc.). They should not be confused with the ghettos of the Second World War, because in the United States, they arose by themselves, primarily for the convenience of numerous emigrants who arrived in the country and did not know the language. Among the blacks who migrated were country blues (country blues) performers: BB King, Joe Turner, T-Bone Walker and others. What attracted them to big cities? The fact is that by the 30s in the United States, the situation with popular entertainment music had changed. An electrophone (an electric player) entered the life of ordinary people, and gramophone records became more and more widespread. This was the reason for the almost complete suppression of such a way of entertainment as home music making. In parallel with this, the so-called Juke Boxes - plate machines - appeared in all eateries, bars and even pharmacies. Naturally, the record industry has expanded significantly, both for home turntables and jukeboxes. The inhabitants of the Negro ghettos lived and enjoyed themselves separately from the whites. To meet the cultural needs of the colored population, black recording studios and radio stations began to form, producing and promoting only black music and only for blacks. Records of this kind are called race records or sepia records. The need for black performers has increased markedly, which was one of the main reasons for their migration from rural areas and small towns to developed cities with a large number of clubs, bars and various eateries, as well as recording studios and radio stations. Electrification and implementation new technology changed not only the way of listening to records, but practically contributed to the emergence of a new kind of blues. Around 1939, electric guitars, electric organs, and a little later - bass guitars became widespread. The percussion instruments and the singer's voice were amplified with the microphone. Thus, the four-piece orchestra was able to play louder and more powerful than the traditional big band of eighteen performers. The electrified ensembles of the new blues direction began to displace large jazz and dance orchestras from the places of entertainment of blacks, which turned out to be economically disadvantageous, unfashionable and therefore lost fans. In addition, R&B has taken root well in small eateries, bars and cafes, where there was simply not enough room for traditional bands.
40s In 1944, guitarist and singer, one of the prominent pioneers of R'n'B, Muddy Waters picks up an electric guitar and begins performing in bars in the Negro South District of Chicago, using a microphone to block out the noise of a half-drunk crowd. His fate - a phenomenon to some extent typical of the bluesman of that time - can serve as an illustration of the history of the entire direction. In the 1930s, Muddy worked on cotton plantations in the Mississippi Delta, performing his songs in his spare time. In 1941, the famous musicologist and collector of folklore Alan Lomax "discovered" it during his excursion to those places. In 1943, Waters moved to Chicago and went to work in a paper mill. In order to resume performing, Muddy had to adapt to the conditions of the city for some time, to change something in his manner of playing and singing.
In order to better understand the meaning of R'n'B, it is necessary to imagine the audience that formed it. First of all, by no means all black society in the United States was enthusiastic about new musical trends. Some members of the middle class and the educated part of the Negro population, who aspired to the cultural ideals of whites, looked down on the blues as barbaric, primitive music. Approximately the same, perhaps even with even greater hostility, they reacted to R'n'B. Moreover, having acquired powerful means of influencing the audience and significantly expanding the scope of his popularity, he has lost a number of advantages of the quiet rural blues, first of all, its intimacy and nuances. R'n'B has become loud, motorized and much more monotonous music. One of the main features of traditional blues - the function of self-expression, has receded into the background, giving way to dance and entertainment. Over time, one of the main blues features began to disappear in R'n'B - sad, pitying for oneself, whining for one's fate, passive and hopeless. More and more anger and aggressiveness appeared as a consequence of the rigidity and loudness of the accompaniment. The nature of the texts has changed and simplified. R'n'B has evolved in all respects into a kind of market-oriented commercial music. R'n'B led away from problems, helped to forget about them. His main task it became an unpretentious entertainment, relieving stress after hard work for residents of black ghettos in large American cities.
R'n'B was greatly influenced by Boogie-Woogie and black commercial pop music, softer, lyrical, melodic, built on operetta or jazz harmonies and aimed at the privileged part of the US Negro society. as well as a white audience.
The year 1949 was marked by the formation of many small independent record companies, which received the abbreviated name "indie" ("Indie" from the word Inderent - independent). If respectable large companies traditionally recorded only proven stars, with expensive large orchestras, then "indies", often represented by one entrepreneur, adopted a more flexible policy, looking for new unknown performers, instantly responding to the slightest changes in demand, in fashion. It was in the "indie" sphere that the tendency to record small bands with a rapidly changing repertoire appeared. The rise of independent companies paved the way for an explosion of rock and roll as a popular culture. The popular black pop vocalists of the 40-50s were in varying degrees associated with jazz and with R'n'B, not being pure representatives of these genres, but rather being interpreters. At one time, they played a role in bringing white and black audiences closer together, pushing the racial divide in popular music. Many names include Ethel Waters and Lina Horne, Billy Eckstine, Sammy Davis and Fats Do-mino, Nat "King" Cole.
The term "Rhythm and Blues" appeared only in June 1949 in Billboard magazine, when there was a clear need to denote a long-formed new phenomenon.
Under such conditions, R'n'B remained the most isolated form of Negro music from the white audience until the early 50s. But its relevance and popularity grew to such an extent that the narrow framework of the ghetto could no longer contain the phenomenon itself. A new word was needed that would allow whites to consider this music as their own. This word has become - "rock and roll".
50s By the beginning of the 50s, R'n'B was already quite developed, but it was still, as it were, in the shadows, being a typical subculture even within the isolated black culture of the United States. In the early 50s, rock and roll literally burst into popular music in the United States. First, the craze for them began in America, and then its further spread, first in Europe, and then throughout the world followed. This unexpected phenomenon was caused by a number of social and economic prerequisites. First of all, it should be noted that the musical foundation of rock and roll - the Negro R'n'B - was already sufficiently formed by the beginning of the 50s as an independent phenomenon. White performers could only master it, and entrepreneurs - to sell it to a white audience. It cannot be argued that rock and roll is black R'n'B, but for a white audience and performed by white artists. White performers brought their aesthetics, their culture to rock'n'roll, changing the sound itself, and the image of R'n'B. Many black R'n'B stars began to perform under the brand of rock'n'roll, without alienating themselves colored audience of the USA. Moreover, rock and roll has become a symbol, if not part of the very mechanism of breaking down racial barriers in the post-war United States. After World War II, a number of laws were passed in the United States that partially equalized the rights of blacks, but by inertia, white Americans for the most part continued to treat them as second-class people, if not like animals. Therefore, in the first post-war years, Negro music was the lot of blacks. In the 50's R'n'B split into soul, funk and later disco. Thus, R&B became the most important link between the big bands of the 40s, the big beat bands of the late 50s and the first performers of rock and roll. Future rock legends, the English bands The Rolling Stones, The Animals, The Kinks and, a little later, The Who were the first to adopt American rhythm and blues. Then, having undergone some changes, R'n'B returned to his homeland.
60-70s In the late 60s and early 70s, British bands re-revised rhythm and blues, making it the base of hard rock, from which many styles developed. In the end, they merged blues and rhythm and blues in such a way that they are practically indistinguishable in rock today. The history of R'n'B ends in the 70s, as HIP-HOP appears at this time.
Today. The current R'n'B is a mixture of blues and hip-hop. Its promotion is associated with the emergence of the MTV BASE TV channel in 1998. Notable representatives are Usher, J. Lo, Beyonce, Mary J. Blige, R. Kelly, Ashanti, MC Coba Ali, and others.