Tools and Equipment To perform rites and rituals, you will need a few basic tools. If you work in a group, they can be kept by different group members or in one secret place and brought to meetings. It is not at all necessary that they

Tools We are witches and we practice the Craft. And like any good craftsman, many of us use tools to help us do our work. Of course, in our case, the work and most of the tools are magical, but that’s not what we’re talking about. Is it possible to do without

How to use the tools A sign can be difficult to understand because we do not always recognize the principle behind its appearance in our lives. In this case, logic becomes our help. To understand this principle, we must use the power of logic and reasoning. This means,

Working with magic candles should always be divided into two main categories.

First when you need a candle in a magic ritual only as a source of fire, and no more. Then the requirements for the magic candles used are lower; you can take a completely ordinary candle. In such rituals, paramount importance is given to ensuring that the candle’s burning time is sufficient for the ritual being performed, that it does not go out during the process of magical work, and that it produces an even flame.

The second category includes candles - talismans. Such candles undergo serious preliminary preparation before being used in a ritual. In essence, candles - talismans are powerful magical objects in themselves. One of the simplest examples of a candle - a talisman - is a church, blessed candle. Such candles are used both in churches and in village magic, divination, which anyone can perform at home.

For some more complex rituals and ceremonies, the requirements for a candle-talisman may be much higher. For example, for some love spells, only red wax candles are used, which were not previously lit and were not stored at the place where the ritual was performed.

The shape of the candle can also make a difference. There are love spell rituals that use the thinnest candles, which in the process of magical divination are intertwined with each other, symbolizing the connection between lovers.

However, there are special love spell rituals in which a candle is used repeatedly and must be lit during a cycle of (7) ritual effects.

The light from candles can also influence what area of ​​magic they are used in. This is how red candles found their way into love magic, in love spells. Black candles are traditionally used in cases of resorting to black magic, inducing damage, as well as when using black love spell rituals.

White candles can often be found in rituals of cleansing negativity, removing damage, and healing rituals.

Mixed colors of candles are also used in magic, but this is not so popular, because a candle, most often, should have a strong symbolic meaning, and different colors of a candle can lead to unnecessary mixing.

Candles decorated with decorative elements, placed in glass cases, equipped with frills or other artistic elements are not suitable for practical magic. Helium candles with different stars and tinsel embedded in the body of the candle are also not suitable. Scented candles should only be used if the description of the magical ritual clearly states that their use is acceptable.

By the way, in the picture you see a candle that is not suitable for magical work, because it has a heterogeneous structure - it is not red, but only covered with red paint. This is not suitable for love magic.

I will not go into the details of making complex magic candles (in some rituals, the magician must prepare a candle exclusively on his own, consecrate it with the necessary power, saturate it with the necessary energies so that when burned, a powerful impulse is obtained), I will tell you how you can prepare an ordinary simple candle for a magical ritual.

So, it is best to purchase a candle in a color that suits your plans. The candle needs to be cleansed of the energies that it has already absorbed during production and transportation. To do this, cleanse with water by placing the candle in running water, after which it is dried and fumigated with incense suitable for your ritual.

For example, lavender incense is well suited for love magic purposes. This way you get a love spell candle that already contains some of the powers of love magic.

If you are planning to carry out a ritual to remove damage, I recommend using a white wax candle, purified water and fumigated with incense.

But I strongly warn you against using complex candles intended for strong magical rituals that you purchased in a store. My personal belief is that such candles should be made by a magician who is well versed in the intricacies of the work to be performed. In stores and online stores, among others, complex magic candles are passed off as those that have nothing to do with magic at all. Therefore, be careful, as the cost of error increases as you turn to increasingly powerful magical forces for help.

The practice of using magic candles suggests that it is not advisable to extinguish the candles after the ritual, except when this is indicated in the instructions for the magic ritual. Burning out completely, the candle develops and completely releases the intention of the magical effect that you created during the ceremony.

Magic candles are used in many rituals, including those associated with.

So to the growing moon they light magic candles for rituals of attracting good luck, creation, development of some business, to improve health, love rituals (love spells and love divination).

During the waning moon candles are lit for rituals with destructive effects, removing obstacles, weakening magic, weight loss and causing trouble (creating damage to other negativity).

Finishing my story about magic candles, I want to note. Magic rarely causes immediate change. Therefore, if you cast a love spell with candles, do not expect that the relationship with your lover will change immediately. You usually have to wait some time for the effect. Do not rush things and do not despair if the magical ritual with candles does not bring you quick results. Concentrate your thoughts and forces and purposefully carry out a new impact. This is the only way you will not only take steps towards getting what you want, but also truly feel the magic that you intend to use.

Good luck with your magical work.

What is a pentacle

One of the most honorable places among magical instruments, together with the black mirror, is occupied by the pentacle. A pentacle is a metal (most often copper or silver) or cardboard disk about nine centimeters in diameter with mysterious drawings applied to it, which are symbolic images of various types of subtle energy. The Pentacle plays the role of an intermediary between man and the subtle energy world. A pentacle made according to all the rules and magically charged will attract the appropriate energy, and therefore contribute to the realization of the purpose for which it was intended. The pentacle can be carried with you, embroidered on clothing or on the cover of a magic mirror, stored in a secret place and mentally turned to it for advice, applied to the back of a magic mirror, and included in rituals.

History of the Pentacle

The magic of pentacles is a very ancient esoteric culture that promotes the spiritual development of a person and improves his life and has proven its right to exist through the experience of many generations. Pentacles were common back in the time of Pythagoras. The pentacle was called Pentalpha and was the first letter of the Greek alphabet crossed five times (a five-pointed star). This symbol meant life or health.

In Babylon, the pentacle was used as a protective amulet, protecting against many ailments. It was often depicted on clay pots to ensure the preservation of the contents.

In the Judeo-Christian tradition, the pentacle depicted on the ring of King Solomon was associated with the secret names of God.

Pentacles were most widely used in paganism. Among the Neoplatonists, an inverted star personified the horned god Pentamorph, who appeared to people in animal and human forms. The Hermetic people also had a five-pointed star as their symbol for the Man of the Microcosm. Later, the idea was formed that the pentacle facing upward signifies God, and the inverted five-pointed star signifies the devil.

Currently, the pentacle can represent both God and man.

One look at the image of the pentacle, you; Of course, it turned out to be enough to understand that this is nothing more than the famous drawing by Leonardo da Vinci, which was given a little earlier: a man inscribed in a five-pointed star.

Symbolism of pentacles

Each sign on the pentacle has its own special, occult meaning. We will not dwell on pentacular symbolism now. If you are interested, you can turn to occult reference literature, where you will find comprehensive information. To successfully work with pentacles, it is not necessary to know the interpretation of each icon, read aloud or quote the words and letters printed on them. It is enough to understand that the set of symbols that are applied to the pentacle - letters, numbers, geometric figures, images of animals and objects - represents an individual projection of the Divine world and a symbolic image of the Higher Energies with which the magician is going to work. And this is not surprising: the art of representing things, thoughts and phenomena in the form of symbols has as ancient a history as humanity itself.

Pentacle manufacturing technology

You need to make the pentacle with your own hands, early in the morning, at sunrise, during the full moon. Your soul should be calm and light. If something is bothering you or bothering you, or you are offended or angry with someone, reschedule making the pentacle to another day.

Enter the state of a magician by completing the “Junior Magician” exercise. Wash your hands with cool water and dry with a clean white towel. Stretch your right hand forward and draw seven crosses in the air - above you, at your feet, to your left, to your right, in front and behind your back. In this way you will open the doors to the world of the Divine Spirit.

Light three wax candles. Sit at the table reserved for occult studies and in ink draw on a cardboard or metal disk with a diameter of 9 cm a pentacle according to one of the samples presented on the next page, depending on what purpose you are pursuing. Place the finished pentacle in front of the candles and say the following spell: “O Great Gods, strong, kind and fair, filled with mercy and generosity, to your glory this pentacle, may it bring peace and humility to the world. Endow him with your strength, grant him power over events; may he serve for the benefit of all living in all worlds. Let it be so".

Now turn to the goddess Aphrodite in prayer. Now she serves as the embodiment of the Cosmos, the Primordial Mind, which awakens to respond to your request. Say: “Oh, Aphrodite, endow me with your strength; grant your protection. The pentacle that I hold is a symbol of the Earth. Know and remember, O Goddess, that he is the letter of the Law, courage, power that cannot be shaken. With the help of this pentacle of the Earth, establish your power over my deeds, help me in my endeavors, grant me strength and the Law of Justice.” Imagine how your pentacle is gradually filled with Divine energy and comes into contact with the Higher Mind.

Magical charging of the pentacle

The prepared pentacle must be magically charged.

Dip the finished pentacle into molten wax (this substance perfectly absorbs information), then place it on your left palm, and move the tips of your right hand in a clockwise direction, imagining as clearly and in detail as possible the final result that you want to achieve with the help of of this pentacle. Having imagined yourself as a successful, rich person, transform this mental image into an energy ball of arbitrary diameter and imagine how it smoothly flows from the fingertips of your right hand and is “absorbed” into the pentacle.

Now place the pentacle between your palms and join them in a prayer gesture. The thumbs should touch the heart area. Say the spell three times: “O eternal and infinite Spirit! I invite you with love: I ask you with faith: fill this pentacle with strength and energy!

Rules for using pentacles

After charging the pentacle, no one except the owner should see it, much less touch it. You cannot transfer your pentacle to others; in the wrong hands, just like a magic mirror, it will not work. The pentacle should be carried with you or kept at home in a secluded place so that, if necessary, you can establish energetic contact with it, that is, clearly imagine it and mentally turn to it for help. Help, as a rule, comes in the form of information, ideas, insights that came from nowhere in the head. The main thing at this moment is to relax, open up to the world as much as possible and carefully look around. The pentacle can also be used in magical rituals.

In witchcraft, as in other magical systems, the protective circle is of great importance. Without it, performing any magical actions is very dangerous. The protective circle protects against the negative influence of subtle energies, protects against the negative influence of astral beings, which often accompany any magical act, and from a whole host of other problems that can arise as a result of a witch’s mistake.

Naturally, the more serious the ritual, the more important the magic circle becomes, and its symbolism becomes more complex.

The protective circle symbolizes a closed space; it outlines the boundaries, separating what is inside from what is outside. He personifies the “island” in the vast sea of ​​Existence. The circle is also a symbol of infinity. Thus, the witch standing in the center of it is at the center of eternity, at the center of the entire Universe, and therefore is endowed with the ability to change the world, because magic is the art of changing the surrounding space.

The witch is recommended to perform almost all of her actions, rituals and the making of amulets, amulets and talismans, and, if possible, exercises in a magic circle.

The magic circle is created as follows:

1. Three hours before the creation of the magic circle, where it will be, you cannot drink alcohol, smoke or use foul language,
2. The circle is usually outlined with white chalk or lined with pebbles. Its radius traditionally corresponds to the height of the person performing the ritual, but it is permissible to use a smaller size, especially in a modern city apartment. But in no case should the protective magic circle be less than the length of your outstretched arm.
3. The outer circle is the first circle. Inscribe an octagonal star into it (two squares superimposed on each other) so that its corners point strictly to the cardinal points. Then, from the first circle, at a palm's distance, draw another circle. Place candles in each of the eight directions of light.
4. Then, at the distance of a palm from the previous circle, draw another circle (you will get three circles) and draw a five-pointed star in it so that one of the corners points to the east.

Sometimes a simplified form of a ritual protective circle is used, when one outer circle is drawn, then a five-pointed star, at the corners of which candles are placed, and already another inner circle is drawn inside the pentagram.

After the ritual, it is advisable to destroy the protective circle, otherwise it will turn into a “door” through which evil spirits and demons can enter our world, and through the resulting “gap” you will lose your vitality and, ultimately, you may soon die.

To destroy a magical protective circle, you must first remove its astral projection. To do this, again take the ritual knife in both hands, raise it above your head and imagine how the fiery pattern you created seems to be drawn into it. Repeat the same for each side of the world, but in reverse order. Disassemble the physical circle counterclockwise and sprinkle the area with water.

Forming a circle

All rituals are performed in a magic circle. It is created after the place for the ritual has been prepared - and after the altar has been established. There are many techniques for drawing a circle, from the simplest and most basic to the more complex. You just need to choose what is most suitable for the place and time of the ritual.

Actually, the magic circle is drawn in order to create a kind of sacred space (although we draw a circle, in fact it is a sphere), where energies that could interfere during the ritual cannot penetrate. This is, in a way, your “operating room.”

Take the rod and, holding it away from the body, walk three times clockwise in a circle around the place where you installed the altar. To do this, turning your face to the north, visualize a blue light emanating from your wand in all directions, a particularly strong beam should go from the tip of the wand to the north. Then walk in a circle clockwise and use this beam to outline a blue circle. You will pass east, south and west, and the blue line drawn by your wand will close in the north. This needs to be repeated two more times.

Another option, a little more complicated: standing facing north, I outline a pentagram and, throwing my hands forward, send a ray from my index fingers into its middle (you need to see, feel how it permeates the Universe), then from the middle I direct the ray to the east, there I draw a second pentagram, again the release, to the south - and I continue this until the circle closes in the north (an even more complex ritual in Kabbalah involves pronouncing the names of God in each direction). In the absence of a wand, you can use your index finger. Sometimes I draw a circle with the fragrant smoke of a sandalwood stick.

Another variation, also quite quick, is to place lit candles in the north, south, west and east (if you wish, you can even choose colors for the candles that correspond to the cardinal directions). I do this if I’m on a trip - it’s somehow more familiar. Candles can be replaced with stones, herbs - in general, whatever is closer to your heart.

The point is not how you draw the circle. The point is in the release of energy, in this way you create a shield, a barrier, a sphere around you. A wand or other tool simply helps you channel this energy. If your altar is located in the corner of the room (our apartments, indeed, are not always so large that you can comfortably sit in the middle of a large hall), then, turning to the wall, simply send a beam, continuing the circle, a little beyond it (because a wall cannot be a barrier to energy).

A more complicated method

Those who are good at visualization and control and direction of their energy can use this technique of forming a circle, which is more complex, since it does not involve the use of any material tools (source - the same S. Cunningham).

“Stand in front of the altar or in the center of the circle, facing East or in the direction that suits you best. Gather the energy within yourself. When it reaches the desired concentration (you will learn this with practice), extend your giving hand, palm down, at waist level. Point your fingers towards the border of the future circle.

See and feel the energy coming out of your fingers as a stream of vibrating purple-blue light. Walk slowly along the circle clockwise. Release energy and shape it through visualization into a circular hoop of blinding magical light across the width of the magic circle. This hoop should be around you and the altar.

As the hoop of light swirls in the air, pull it out with your visualization. Watch him grow and increase in size. Convert it into a dome of energy over your ritual site. It should touch the Earth in the place where you marked the border of the circle. Now continue these energies underground to form a complete sphere with you at the center.

The circle really exists. Feel its energy. Feel the edge of the circle. Feel the difference in vibrations inside and outside. Contrary to popular witchcraft teachings, sticking your hands out or stepping out of the circle yourself will not cause “astral harm” as anyone can cross the protective force energy created around your home. Most magic circles are designed so that when you stand near the edge of the circle, your head and part of your body will step outside of it. Walking through the circle gives you a hit of energy. This also dissipates the circle. Therefore, if this happens, simply form the energy again.

When the circle is formed, stop the flow of energy through your giving hand by lowering it down and pressing it to your body. Close the flow of energy. Shake your hand if necessary."

Note: If you need to leave the circle during a ritual, you can “cut a door” in it. To do this, you need to use your giving hand to draw a line in the “wall” of the circle in the shape of the door, open it and go outside. Then go back and move your hand in the opposite direction, closing the “cut.” If the energy of the circle does dissipate, replenish it.

After the ritual they say: “The circle is open, but not destroyed,” and the remaining energy is removed. How to do this will be described in a separate section.

In general, you just need to remember that everything that exists is initially sacred. Therefore, any space is initially sacred, even without the formation of a circle.

The pyramid is handmade from optical crystal with a perfect crystal lattice, and is a small copy of the Egyptian pyramid of Cheops.

What is the crystal pyramid used for?

Crystal Pyramid

• This is your protection from the negative influence of people
• This is the only barrier against geopathogenic radiation of the earth
• This has a beneficial effect on your body and surrounding objects
• This is your cleansing and charging with positive energy
• The radius of action of the crystal pyramid is 2-2.5 meters

The energy of the crystal pyramid “can do” a lot: it increases a person’s spirituality, develops clairvoyance, rejuvenates, affects the physical body, eliminates the negative effects of TV or computer, removes damage and other negative energy from a person’s biofield.

If you sit in front of the pyramid, the process of meditation improves, the intensity of headaches and toothaches decreases, and the healing of ulcers and wounds improves. The pyramid removes geopathogenic influences around itself and harmonizes the space of the room.

How to use the crystal pyramid

1. Orient the pyramid according to the parts of the world, only in this case it turns into a generator of protective and healing energy
2. Place the pyramid next to you, in the place where you are for more than an hour every day, and it will protect and protect you from negative influences.

Pyramid treatment method

Place the base of the pyramid on the affected area of ​​the body for 7 minutes. The energy of the pyramid has a healing effect and makes him healthier. The procedure can be repeated every day until healing. There are no contraindications.

Note. Partial protection is provided by one pyramid, complete protection by two. The crystal pyramid should be protected from impacts, as the material is fragile. Official science does not explain its extraordinary properties.

The magic pyramid can work real miracles! It harmonizes the surrounding space, improves the energy of the home and maintains the achieved result, neutralizing negative influences, develops clairvoyance, improves health, rejuvenates, strengthens the immune system, relieves pain and has an anti-stress effect.

To fulfill a wish:

On the waxing moon, think of a wish, write it on a sheet of white paper. Fold the sheet in four and hide it under the pyramid. Every day, hold your open palms over the pyramid for several minutes and say what you want three times in the present tense, as if it has already come true. After the full moon, the paper from under the pyramid must be taken out and burned.

If the fulfillment of a wish is delayed, the ritual can be repeated.

For good health:

For a therapeutic effect, hold the pyramid for 10-15 minutes exactly over the sore spot. Do not forget that during the procedure the edges of the pyramid should be directed towards the four cardinal directions.

For meditation:

1st option

Sit without crossing your legs. Place the pyramid in front of you on the table. Hold the open palms of your hands over two opposite sides of the pyramid with your fingers pointing north. Soon you will feel a slight tingling sensation in your palms. This means your pyramid “works.” The duration of the session is no more than 10 minutes.

2nd option

Sit without crossing your legs. Place the pyramid on your open palms. Close your eyes and focus on your inner sensations. Feel the warmth in your palms coming from the pyramid. Session time is up to 10 minutes.

Creating magical water

Fill a small container (for example, a glass) with clean water and place it inside the pyramid for a day. This water is used to lubricate scratches to speed up healing, taken orally for problems with the gastrointestinal tract, wiped over the face for problematic skin, and applied to the temples for headaches. Also used for watering house plants (adding to regular, settled water).

ATTENTION: do not leave water in the pyramid for more than 24 hours, otherwise the reverse process will begin.

The practice of using pyramid energy

The pyramid, provided that it is oriented with the edges of the base towards the cardinal points, turns into an accumulator of cosmic energy or, in the terminology of A.I. Veinik, into a chronal accumulator.

For a better understanding of the ongoing processes, let us briefly dwell on the concept of the chronal field of the famous Belarusian scientist A.I. Veinik, who created a number of devices that demonstrate the reality of phenomena that are impossible from the point of view of official science.

According to the hypothesis of A.I. Veinik, there is a large class of microparticles called chronons, the mass of which is millions and billions of times less than an electron. In physics, such particles are called leptons. Their speed of movement ranges from several meters per second to multiple speeds of light. Chronons of two signs were discovered - positive and negative, determined by their spin. In this case, chronons of the same name attract, and chronons of different names repel.

Chronons carry complete information about any object that emits them. All physical, chemical and other processes occurring in living and inanimate nature are accompanied by radiation and an increase in the number of chronons.

The totality of the chronal nanofield and the chronons contained in it (chronal gas) is called the chronal field. Along with the air environment that creates the atmosphere around the Earth, chronal gas forms the chronosphere.

The latter is continuously replenished from Space, being the main source of the chronal field. In this case, the most powerful flow of chronal radiation comes from the Sun, but all other astronomical objects also contribute their specific chronal radiation to this general flow. One of the features of the chronal field is its manifestation during the movement, rotation and vibration of an object, which is used in the creation of chronal radiation generators.
The flow of liquid and gas is also accompanied by the manifestation of a chronal field, which in the case of groundwater creates harmful radiation that can harm human health if a residential building is located above it. Vibrations not only generate a chronal field, but also remove a chronal charge from the body. Rotating bodies emit a rotating chronal field.

Combustion, evaporation and condensation of steam, melting and solidification - all these processes are characterized by the simultaneous manifestation of specific radiations of the chronal field. Light radiation is accompanied by a stream of chronons entrained by photons, so any light source represents the simplest generator of continuous chronal radiation. At the same time, by selecting materials, light filters and the design of the device, it is possible to purposefully change the properties of chronons. Similar to this phenomenon, electric current, electron emission, electromagnetic and magnetic fields can also be chronal generators, which are already widely used in the transfer of information (imprinting) specific to one object to another using electromagnetic radiation.

The person himself is a characteristic and important source of the chronal field. The life lines or meridians of his body are chronal channels, and biologically active points are emitters of the chronal field. The main source of human chronal radiation is the brain. Therefore, a person through his eyes can significantly influence the course of any study of chronal radiation, especially if he is specially trained. The chronal field has a decisive influence on the regulatory processes of the human body, and each organ has a strictly defined chronal specificity. The corresponding chronal radiation of yoga is called aura. It is not recorded directly by photographic film, but due to the indirect entrainment of chronons by other particles, it can be recorded, which is used in the methods of A.V. Zolotova and Kirlian.

Chronal radiation coming from Space can be captured using various geometric shapes, using them as batteries. The chronal field accumulates in them relatively quickly, reaching maximum power after a few days, while charging not only the battery itself, but also objects in the immediate vicinity of it. Let us now move on to consider the practical use of one of the most widely used chronal pyramid accumulators. The pyramid model can be monolithic, hollow, made of plastic, metal, glass, cardboard, etc., or represented by a frame made of copper wire or tubes. The most commonly used pyramids are 10 - 15 cm high. Such pyramids (4 pieces can be placed under the bed). Larger models are used for storing perishable products or for special purposes. The chronal field reaches its greatest intensity in the lower third of the pyramid, then at its top, then in decreasing values ​​in the four corners of its base and, finally, at its ribs.

How to make a pyramid model

Making a pyramid model is not difficult. It is built according to certain proportions, based on the size of its height (H). The remaining necessary indicators are determined by the formulas:

• side rib length = H x 1.4945;
• base side length = H x 1.57075.

To sharpen blades, you can make a pyramid 10 cm high from thick cardboard. Tape the sides of the pyramid to the bottom, and tape the pedestal for the razor blade to the base. Additionally, glue two cylindrical holders made of cardboard or pieces of plastic to the pedestal, fixing them along the center line of the upper plane of the pedestal at the locations of the blade holes. The dimensions of the pedestal are proportionally smaller than the blade, so that its edges protrude along the perimeter. Cylindrical holders of the appropriate diameter prevent the razor blade from moving. Having placed the blade on the pedestal, the base is placed in the cutout of the bottom of the pyramid model. The “device” is assembled and ready for use. All that remains is to fulfill four mandatory conditions:

• using a compass, orient the centerline of the pyramid model along the geomagnetic meridian, in the north-south direction;
• install a pyramid model oriented to the cardinal directions in a place remote from reinforced concrete reinforcement;
• always place the razor blade on the pedestal with the same side, guided by its markings;
• Do not move the blade when placing the pedestal in the pyramid model.

In the same way, you can “sharpen” razor blades of various sizes, but for this you need to prepare replaceable pedestals, the sizes of which will correspond to a particular blade. In these cases, the sharpened side(s) of the blade should also protrude a few millimeters beyond the edges of the pedestal, and its center line should run parallel to it. The key factors in realizing the self-sharpening effect of the blade are: the size of the pyramid model, its orientation in the north-south direction and the placement of the blade in the pyramid at a height of one third from the base. After 12 hours the blade is like new. Changes occur in the material of the cutting side(s), allowing one blade to shave up to 50-200 times, depending on the quality of the metal and the individual characteristics of the hair. The better the dielectric properties of the material from which the pyramid model is made, the more effective the “self-sharpening” of the blade.

You can build a cone - according to experimenters, it gives the same effect as a pyramid, but has the advantage that orientation in space is not required.

About the action: the pyramid concentrates in itself high-quality energy that is useful for humans. It can be made from almost any material (although I doubt metal, it consumes energy like a vacuum cleaner), the main thing is that the edge of the pyramid is a multiple of 15. Moreover, the edges must be glued together, but not sewn together. One guy I know saw in meditation that the pyramid sucks energy into the centers of the surfaces, concentrates it in its center and releases it through the top. Treatment with pyramids is based on this: /\ +; \/ -.

Shape effect

The ancient Egyptians not only knew about the existence of radiation created by the shape and mass of an object, but also knew how to use it for a variety of purposes: in the construction of pyramids, special concentrators that had “magical powers” ​​of different directions - from healing, creative, to shielding and destructive.

This area, which certainly represents part of the knowledge of the Atlanteans, is currently being studied and is only beginning to be used, but it is already clear that it will become the science of the future. Research in recent years has proven that all objects in the surrounding world emit and, in addition to the main radiation characteristic of the substance of which they are composed, create specific radiation due to their shape. Experiments have shown that the strength of radiation of a form depends not only on its orientation in space, volume and mass, but also on the time and location of its location. The strength of any field increases with the curvature of its isointension lines.

This is what causes the tip effect. This also applies to the energy of forms: the concentration of the psi-field occurs along a line or at the point of intersection of surfaces, especially if several of them intersect at once. As a result of this, the influence of the surfaces themselves is reduced to a minimum and it becomes possible to do without them altogether, limiting ourselves to just the ribs - the wire or tubular frame of a particular polyhedron.

The area covered by the frame is essential, so the capacity of any battery is related to its size. The same reason determines the high energy capacity of capillary-porous bodies. The colossal radiation power in the giant Cheops pyramid becomes clear. Using models of small-sized shapes, it is possible to increase their strength due to the total radiation of identical objects connected to each other in the form of battery links. Let us dwell on the results of studies of radiation of characteristic forms.

The phenomenon of pyramidal structures

The first of our contemporaries to establish a number of unusual phenomena associated with the pyramid was the French scientist, dowser Antoine Bovy. While exploring the Cheops pyramid during the thirties, he discovered that the bodies of small animals that accidentally ended up in the royal room were mummified. Returning to France, he built a wooden model of a pyramid with a side length of about one meter.

Orienting it to the cardinal points and placing it in the location of the royal room, i.e. approximately 1/3 of the distance from the base to the top was the body of a dead cat, he found it mummified a few days later. He achieved the same effect with other organic substances, which, being mummified, did not deteriorate or rot. A. Bovy's research did not arouse any interest until the fifties, until the Czech engineer (a specialist in radio waves who argued that the pyramids concentrate cosmic energy, which is the “actor” in them) Karel Drban became interested in them, who not only reproduced the results of the experiments A. Bovey, but also discovered a connection between the shape of the pyramid space and the biological and physico-chemical processes occurring in this space. It turned out that by changing the size of the pyramid it is possible to influence ongoing processes, accelerating or slowing them down.

A very famous discovery by K. Drban turned out to be that the energy of a pyramid, oriented with its sides towards the geomagnetic poles, sharpens a razor blade placed in it, provided that it is located at a level of 1/3 of the height from the base of the pyramid at a right angle to the geomagnetic meridian. The invention was patented and a plastic device, the “Pyramid of Cheops Razor Sharpener,” was produced, which made it possible to reuse the same razor blade over and over again.

Since the fifties, there have been more and more patents. It turned out that the energy of the pyramid shape “can do” a lot:

• instant coffee, after standing over the pyramid, acquires a natural taste;
• cheap wines significantly improve their taste;
• water acquires properties to promote healing, tones the body, reduces the inflammatory reaction after bites, burns and acts as a natural aid to improve digestion;
• meat, fish, eggs, vegetables, fruits are mummified, but do not spoil; milk does not sour for a long time;
• the cheese does not mold.

If you sit under the pyramid, the process of meditation improves, the intensity of headaches and toothaches decreases, and the healing of wounds and ulcers accelerates. Pyramids eliminate geopathogenic influences around them and harmonize the interior space of premises. Dutch pyramid researcher Paul Liekens experimented with a variety of materials: with seeds of garden crops (the radish grew 2 times larger in size than the control from the same set of seeds), herbs - they remain green and continue to carry their energy charge, the healing power increases significantly.

According to a number of testers, ordinary water perfectly captures the energy of the pyramids and exhibits new properties: it acquires the taste of pure spring water, has a healing effect, stimulates plant growth, it is also known that the use of such water is effective for strengthening hair, removing dandruff, softening the skin and smoothing out wrinkles, getting rid of from sweaty feet, etc.

Research conducted in the sixties by the famous Kabbalist and Egyptologist Enel (his real name was Mikhail Vladimirovich Saryatin, 1883 - 1963) showed that the radiation of the pyramid has a complex structure and special properties. Several rays were allocated to them:

• a ray called Pi, under the influence of which tumor cells are destroyed;
• a ray that causes mummification (drying) and destruction of microorganisms and a mysterious Omega ray, under the influence of which food does not spoil for a long time and which has a beneficial effect on the human body.

Enel first suggested that the initiates were exposed to this concentrated ray during initiation in the sarcophagus of the royal room.

Subsequent studies showed that due to a wide range of frequencies, some of which are identical to the vibration frequencies of healthy cellular structures of biological objects, the radiation of the pyramid has a harmonizing effect, tuning for optimal functioning. The French radiaesthetists L. Chomery and A. de Belizal (1976) first suggested about the role of the Great Pyramid as a transmitting station. They showed that, thanks to the enormous mass, the radiation from the shape of the pyramid reached such strength that from a very long distance, using a model of the pyramid, it was possible to determine this radiation, and without a compass, accurately orient the route of a ship in the sea or a caravan in the desert.

Scientists were especially intrigued by a feature that existed in the design of the Great Pyramid - it was not completed to the top. In fact, its top is formed not by four sides, but by a platform with dimensions of 6x6 meters.

Radesthesia studies carried out by D. Chomeri and A. de Belizal made it possible to establish that such a design formed a false vibration prism, which created radiation that descended vertically to the base of the pyramid. The pharaoh's room, located outside the area of ​​​​distribution of this beam, avoided this influence, but it must have captured a hitherto undiscovered underground room located significantly below ground level.

The data obtained by French researchers, as well as the purpose of the mysterious structure of four elements established by Enel (1958), creating radiation directed at the sarcophagus of the royal room, allows us to assert that the Great Pyramid was used as a receiving-transmitting multifunctional device with a huge range of action, within which other laws than in the world around her. Computer studies carried out in 1969 by L. Alvarez, who installed cosmic radiation counters in the Khafre pyramid, caused a huge resonance in the scientific world; the geometry of the pyramid inexplicably disrupted the operation of the instruments, forcing scientists to stop their work. This attempt, like many others, revealed another feature of the study of pyramids - with each new study, more new questions arise than answers.

Esotericism of the pyramids

The word pyramid comes from the Greek "pyramis", etymologically related to "pyr" - "fire", denoting a symbolic representation of the One Divine Flame, the life of all creatures.

Initiates of the past considered the pyramid an ideal symbol of the Secret Doctrine, a symbol of the hierarchy that exists in the Universe. The square base of the pyramid signifies the earth, its four sides the four elements of matter or substance, from the combination of which material nature is created. The triangular sides are oriented towards the four cardinal directions, symbolizing the opposites of heat and cold (south and north), light and darkness (east and west). The triangles rising from each side of the base, with their apex upward, serve as a symbol of the Divine being, the Spirit, enclosed in a four-dimensional material nature. The sum of the sides of the base is four, which corresponds to matter, the triangles are three, which corresponds to the Spirit. The sum of the sides of the base and the triangle is seven, symbolizing the perfect man expressing his True Nature, which is the union of spirit and flesh. The human head is symbolized by a three, a triangle, and four limbs by a four, and the placement of the three above the four means the dominance of spirit over matter.

The sum of the sides of the four surfaces of the pyramid is twelve, which corresponds to the twelve signs of the zodiac. The three main chambers of the pyramid correspond to the brain, heart and reproductive system of man, as well as to his three main energy centers.

The main purpose of the Great Pyramid was carefully hidden. It was neither the tomb of the pharaoh, nor an observatory, but was a gigantic, powerful generator of special energy used by the pharaoh and priests for various purposes. According to esoteric doctrine, the Great Pyramid was the first temple of the Mysteries, the Repository of the secret truths underlying all the arts and sciences, the entire universe. The technique and ritual of the Mysteries were created by the mythical Master of the Hidden House, who lived in the Great Pyramid, invisible to all except those with second sight. The Mysteries teach that Divine energy descends to the top of the pyramid, from which it spreads along the inclined sides, spreading throughout the world.

The stone crowning the pyramid, which is currently missing, was probably a miniature pyramid, repeating the entire structure of the main one. Thus, the Great Pyramid was likened to the Universe, and the crowning stone was likened to man. Following this analogy, the mind is the crowning stone of man, the spirit is the crowning stone of the mind, and God, as a prototype of the entire structure of the pyramid as a whole, is the crowning stone of the spirit. by the system of development of the Mysteries it is gradually transformed into the true and perfect stone that crowns the pyramid. Spiritual construction is completed only when the initiate himself becomes the pinnacle through which Divine power spreads into the surrounding world.

The Sphinx served as an entrance to both mystical passages, and the inner chambers were passed through by initiates. They entered as people, and came out transformed as Gods, finding a “second birth” in the Great Pyramid - the womb of the Mysteries. How this happened is the secret of the mysteries of the pyramid. One can only speculate, but it is quite possible that the enormous energy of the Cheops pyramid accumulated by the form, focused at the location of the sarcophagus in the royal room with the help of a special structure located above it, served as the main field factor that made the accelerated transformation of man possible. In the king's chamber, the initiate was buried for several days in a huge sarcophagus, where the Great Work (Magnum Orus) to achieve individual completion was carried out.

The initiate was revealed the method of separating the spiritual body from the physical and was given a key secret and unpronounceable name designating the Supreme Deity. This knowledge made man and God aware of each other, and those who had been initiated into the highest degrees of the Mystery themselves became a Pyramid, receiving the ability to bring the light of spiritual transformation to other human beings. Stimulated by secret processes in the Mysteries, a person’s consciousness expanded and he received the opportunity to see the Immortals - those who were already at the highest stage of evolutionary development.

“The medicine of the future will refuse injections and drugs. The old therapeutic arsenal will be replaced by new types of radiation, only some of which we are beginning to discover."

Pyramid energy

The greatest and most mysterious of the Seven Wonders of the Ancient World is the Giza pyramid complex in Egypt, the most impressive of which is the Pyramid of Cheops. Scientists and theologians have been studying the Great Pyramid for many centuries, marveling at the greatness of the perfect gigantic work of its creation, marveling at the acute and deep necessity that prompted such Herculean work. The Cheops pyramid is said to be the most perfect structure in the world, the standard of weights and measures, and that its geometric form encodes information about the structure of the Universe, the Solar System and man.

But according to the famous clairvoyant E. Cayce, the Great Pyramid contains Atlantean chronicles and objects that prove the existence of highly developed science and technology in the distant past, and the Pyramid itself was built between 10490 and 10390 BC. Egyptologists, however, believe that the large Giza pyramids of Cheops, Khafre and Mikerin, which have a classic pyramidal shape, were erected during the Old Kingdom during the 15th dynasty of the pharaohs, that is, approximately 2800-2250. BC.

The starting point of most existing hypotheses about the functional purpose of the Great Pyramid - to be the tomb of the pharaoh - is opposed by the opinion of something else, hidden from the uninitiated.

Magic and magical objects are inseparable things

Supernatural and otherworldly forces have always attracted and at the same time alarmed people, but in essence there are only a few people who are able to use force and have magical abilities. People capable of using magic, despite their natural talent and abilities, must learn to use their abilities for a long time and have a number of attributes without which magic is impossible.

Magically, objects are a kind of artifacts that accumulate magical power and allow a gifted person to use otherworldly forces for their own purposes. Most of the references to people who were subject to the power of magic go back to ancient times, and by analyzing the facts you can get an idea of ​​the power and strength of these people. According to beliefs, sorcerers and witches are able to talk to animals and through animals to observe people; in addition, these people are able to destroy crops and livestock, send diseases, and also, if desired, give people wealth, happiness, and predict the future.

Magic and magic tools things are indivisible, which is why in all the references people involved in magic had their own workshops in which their magical supplies were located, and all magicians have a certain set of magical tools. ;

Magic items in a magician's arsenal

In the arsenal of any magician you can find a magic pendulum, a crystal ball, magic frames and ink, and a whole range of other magical items that are necessary for performing magical rituals and deciphering messages from summoned spirits. Each of the magical objects has energy. It is not uncommon for rituals to also require a special magic dagger or knife, a pictogram, a cauldron, incense, amulet, bowls, amulets, and so on.

Each of the magical instruments is not just an ordinary object, but a special device for working with subtle energies, therefore such instruments have a number of specific magical symbols and runes that determine the magical power of the instrument.

Description of magical tools and their properties

A magic knife or dagger is used to carry out almost all rituals. This instrument itself is a dagger or knife made of dark metal with an even handle and runes and signs applied to it.

Magic pendulum capable of detecting fluctuations in living and inanimate bioenergy, and is used by magicians to search for objects, and as an indicator of the aura.

The magical crystal ball is the most mystical item in a magician's arsenal. This item serves as a guide for the magician to the world of spirits; it can show the future, past and present. This attribute can be especially often found among magicians who have the gift of looking into different time periods to find answers to their questions. Besides, magic crystal ball serves as a conductor of energy and is indispensable when conducting a number of rituals to summon spirits. It is believed that crystal is an energetically strong stone that contains enormous magical potential, which is why crystal serves as an excellent conductor to another world. Additionally, crystal is used for its ability to show spirits without letting them into our world.

A magical altar is an unchangeable and one of the most important attributes for conducting magical rituals. Some people believe that any table that is comfortable to work at will be suitable as an altar, but this is far from true. Magic altar- this is a magician’s workplace that is capable of concentrating energy flows, that is, the altar is necessary to strengthen and consolidate the flows of power during the ritual. It is believed that the altar serves as a kind of conductor for energy. Rituals performed at the altar, as well as sacrifices made in this place, allow you to enhance the impact of the energy of the ritual.

Many magicians do not use a pendulum in their practices, but instead use special framework. Magical frames react more subtly to energy. All living and inanimate objects are capable of emitting energy; if a person dies, his energy changes, but does not disappear; it is to changes and fluctuations in energy that the magic frame reacts.

Basically, magic frames are used to predict fate, search for objects and missing people, and also to determine whether a particular person is currently alive. The magic frame captures the slightest changes in the information field and transmits knowledge on the astral level to the magician. As a rule, frames are objects made from a hazel branch in the shape of the letter “U” or a metal rod in the shape of the letter “L”. In the process of searching for objects or answers to questions, the magician concentrates on the frame, and if the frame oscillates to the right, the answer is negative and the direction is chosen incorrectly, to the left, then the answer is correct and the direction is correct.

Another important attribute of any ritual is magic ink. This ink is not ordinary, it does not wash off with water and is needed for writing runes, signs, drawing pentagrams and other things. Usually the ink is made by the magician himself and consists of iron sulfate, alum and ground ink nuts.

Origin of Magical Instruments

There are two ways to obtain the necessary magical items for rituals. Witches usually inherit all the necessary things, and all inherited magical tools have very strong energy and enhance its magical potential.

If the ability for magic has awakened in a person whose roots are in no way related to magic, magical objects can be made by the magician himself. It must be remembered that each item has its own manufacturing feature and, as a rule, the power in a person itself tells how to make this or that item. ;

The crystal must be prepared and programmed independently. This should be done as follows:

Crystal Cleansing:
Take the crystal by the chain with your non-working hand (left-handed - right, and right-handed - left), concentrate and imagine that the stone itself is covered with something black. Slowly move your working hand along the stone, “removing” this blackness, each time shaking it off into the place where you usually dump negative energy (corner of the room, window, etc.) or onto a stone brought from the street in advance. Throw away the stone when finished.

Repeat the operation four to five times until the crystal becomes “absolutely clean.” Now it is ready for programming.

Crystal programming:
First, you need to come up with a key word for the stone, which you will mentally pronounce when addressing it in order to bring it into an active state. After this, lie down on a horizontal surface and place the crystal on your forehead, in the place of the “third eye,” throwing the chain back.

After focusing, begin to mentally say the following phrase: “Crystal, when I tell you (the key), you (will do something).”

Optimal option: “Crystal, when I tell you (the key), you will increase the power of my concentrations.”

When you feel the crystal become hot, remove it from your forehead and store it in a closed bag, wearing it when necessary.

About once every month or two it is necessary to repeat the above procedures to maintain the crystal in working condition.

Crystal Usage:
In order to activate a crystal, you need to mentally call it with a key word and, having received a response (most often a warm wave through the body), concentrate on the task you need.

The sword in Slavic magic is the same as the sword in Western magic - one of the main ritual instruments. The sword helps to concentrate one's will, to produce both physical and energetic attack or defense.

The Sword is made by the Magician himself from iron strips that are chained together. The handle is usually made black, and a rock crystal stone is used as the “apple”. Ruby is used less often, but it is quite expensive, and besides, it is practically useless for magical weapons, since it “works” on rather crude energies, akin to the astral plane.

When creating a sword, you should always remember the ancient wisdom: “The sword of a samurai is the soul of a samurai,” which in relation to Magic can be paraphrased as follows: “The Sword of a Magician is the will of a Magician.”

The sword does not require a special dedication ceremony, but this does not mean that such a ritual cannot be performed. It will just be different for everyone. The weapon itself will tell you what to do best, so when creating it, learn to listen to your creation.

3. How to make a magic wand, staff and wand

Note
I am not the author of this section (2.3). The true author of these lines is unknown to me and I hope that he will forgive me for using this material in my book, because this link indicates his copyright.

* * *
“There are four types of magical wands, made of wood and serving as an aid to concentrate and enhance one’s own power.

Staff - approximately tall
Large rod - two or three cubits
Small rod - one or two cubits
"Magic wand" - about half an elbow.

The smaller the wand, the more powerful it is, and the more careful processing it requires.

Wands can also be made of metal or stone, but since the labor intensity is significantly higher, I did not even try to find out anything about it. Before you begin, you need to perform a cleansing ritual that matches your ideas. During processing, you should observe what you call fasting. Any psychotics are strictly excluded; even tobacco or coffee can disrupt your work.

For any wooden wand, “its own” tree is selected (in my case it could be oak or hawthorn); in general, preference is given to a harder species. A young tree of suitable thickness is selected. For everything except the staff, a part of the main trunk is suitable only without knots. The tree is cut down with a feeling of regret for the ruined plant, and confidence that your need is worth it.

A minimum of tools is used, ideally one knife, forged with one’s own hands. Since in modern conditions it is difficult to get hold of a knife forged with your own hands, you can use an ordinary medical scalpel purchased specifically for this work.

When working, it is necessary to avoid feelings of triumph, haste or

Anticipation.

A magic wand, on the contrary, is made from the most clumsy and gnarled (but in no case cracked or rotten!) part of the tree. The rhizome of a tree, or, for example, the stem of a Karelian birch, is very good for such purposes. If a part of a tree was taken to make a magic wand, if you have full self-confidence, it makes sense to “gift” the tree - rub a drop of blood into a cut in its bark.

The cut trunk is transferred to the place where it will be processed and is not moved to other places until the work is completed. The waste is collected and, after finishing the work, sacrificed to the forest spirits (buried under the turf in the forest with a feeling of gratitude).

All processing is carried out in a state of permanent meditation on the material. Hurry, distraction by random things, attempts to speed up work at the risk of spoiling the material are categorically excluded (not even the attempts themselves, but reflections on this topic, that is, if something can be scraped off or cut off, but accuracy in the latter case cannot be guaranteed, then there should not even be any doubt about what should be scraped).

It is best to work in the forest or in the country. Exactly as much work is done in one go as is fun. Whenever there is a desire to work, you need to do it, even if this work consists of two movements.

The bark and cambium are cleared from the trunk; in the case of a staff, knots are cut and scraped off (not until smooth), and defects are cut out. The staff can be finished at any time after this, but it is recommended to at least scrape it thoroughly and lovingly.

For the remaining wands, the upper end (according to the height of the tree) is pointed, the lower end is rounded. The lower part of the rod (by which you then hold it) is scraped across the grain. At this stage, the workpiece should no longer have any corners or cuts. By this time, the workpiece may crack lengthwise due to drying, this is normal.

On a magic wand, both ends are rounded.
The processing should be interrupted and play with the resulting object. You need to feel it as yours, find a comfortable position for it in your hand, love it, become attached to it. From this moment on, the workpiece should be kept with you at all times, at least in the area of ​​attention. The feeling should be such that you are introducing him to yourself, to your life, to your habits, emotions.

Further processing is the main difficulty. Part of the wand, except for the place where you hold on and the tip, is covered with a pattern. It makes no sense to “cover” the rod with a pattern. Scratches are applied to it in those places that, according to the feeling that appears, “they want it.” Some of them may be small, some will “require” a recess, sometimes up to a quarter of the radius (I, however, did not have this).

Scratches are caused by holding the tip of a knife between your fingers (by the way, you only need to sharpen it by hand), and require a steady hand. When working, there should be a feeling of conversation, conversation with the rod.

A small wand requires a pattern that is several times thicker and finer than a large one, but sections of the initial surface must remain on it as part of the pattern (then, probably, the magic wand should be entirely carved). If a crack has formed on the rod, then annealed copper, or even better silver, should be hammered into it with the same knife (just not very hard, otherwise it will crack) to the very surface.

For a magic wand, another type of pattern is preferable - a continuous, non-self-intersecting, open line covering the largest possible area of ​​the magic wand. If you manage to apply it in one motion from start to finish... However, I doubt that you will succeed.

There is no need to demand European accuracy from the rod, it should have in its shape a reference to the original shape of the barrel, it should not be perfectly smooth or perfectly round, the metal hammered into the gap does not have to look like a filling, it is simply stored there, although if it is not will look tacky, then that’s correct.

Unfortunately, I cannot describe the pattern covering in more detail, since it occurs in deep meditation. The work should have the internal impression of a valuable process in itself; one should not feel concerned about the result; even some nostalgic pity that another part of the work has been done is allowed.

At the same time, he needs to be introduced to the world, that is, shown to the sun, moon, stars, trees, while intensely feeling his attitude towards the objects shown. There is no need to show EVERYTHING or name names. Only the attitude toward which you consider worthy of being noted.

The pattern is applied until you are confident that you cannot add a single stroke. By the way, the pattern may well contain various symbols that you might have seen before; it is absolutely necessary to accurately determine whether it is your subconscious that is playing around, or whether the scratches just happened that way. The first is not good, the second is normal.

There are so many symbols that they can be found in anything, there is no need to be afraid of them or strive for them, they are always secondary when interpreted by a person.

After applying the pattern, you need to polish the rod with a cloth and river sand. For those who have never done this, I warn you, don’t press, otherwise you will scratch it. By the way, it is better to sift and/or wash the sand. Only the pattern is polished, by this time the handle has already been processed with a knife, and the tip should be smoothed with a knife.

Polishing should take place in a joyful (but not violently hysterical) mood, and this should not make the movements abrupt.

By this time, the wand will make you feel the need for initialization (activation? Consecration? I’ve been bad with the thesaurus lately), which consists of completely emotionless immersion of the tip into something. In my case it was night water, but it could be earth, wine, milk, a living body (God forbid, human), and sewage.

If necessary, the next day the tip is wiped with the same cloth that was used to polish the rod (by the way, didn’t I say that it should be natural fabric from your old clothes?), which can be buried along with bark and sawdust, or can be thrown away or destroyed, at your discretion.

Initializing the magic wand looks a little more complicated. First, one end of it is immersed in something, then (the period of time does not matter and is unpredictable in advance) its other end is immersed in something else, something opposite in properties to the first. At first glance, the phrase is somewhat clumsy, but if you start making a magic wand, then at this stage everything will be clear to you.

The knife must be sharpened at the end of the work, and... That's it.

If by then you don’t know what to do next with the wand, then I obviously explained something wrong.”

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